The Nicoya ceramic style is polychromatic and features the use of incisions and white and/or yellow painted geometric motifs over polished red slip. The most frequent forms are vase-shaped vessels with high, hollow bases, animal-shaped, globular or mammal-shaped vessels, and three-legged plates. Stylized painted jaguar motifs are also featured, as are pipes with a two-headed lizard. Serpents are another animal found frequently in Nicoyan art, especially in relation to fertility cults. The pantheon of Mexican deities is represented in images in red, blue, orange, sepia rose, black and grey paint. Pastillaje was another decorative technique they used. The stone statues the Nicoyans made feature naked men sitting with legs bent, elbows resting on the knees, holding an object near the mouth. The Nicoyan’s monumental sculptures are called “alter ego” because they are supposed to carry part of the individual they represent. These have a human-like form with a mammal or reptile on its back or head. Three-legged grinding stones with a hanging panel that joins the front leg have also been found, with half-human-half-animal figures. The underside of their grinding stones bear decorations that are meant to be visible when the stone is placed against the wall.