Chimu, Labyrinths of a sacred costume
First version of the Chimú costume’s showcase (Digital drawing, A. Irarrázabal)
First version of the showcase, with sliding base in two directions (Digital drawing, A. Irarrázabal)
First version of the showcase, with sliding base in two directions (Digital drawing, A. Irarrázabal)
Second version of the Chimú costume’s showcase, with two walls and removable roof (Digital drawing, A. Irarrázabal)
Second version of the Chimú costume’s showcase, with two walls and removable roof (Digital drawing, A. Irarrázabal)
The ceremonial costume`s location at the exhibition plan (Digital drawing, José Pérez de Arce)
The installation of textiles
Before describing the structure on which the textiles were to be exhibited, it was necessary to define the positioning and space that the structure would occupy. At this stage, it was vital to balance the criteria of the conservators with the presentation of the garments, taking into account their usage and a reading of the costume’s significance that would be visually appropriate for the viewing public.
In designing the support, our principal challenge was how to minimize the possible deterioration of the textiles, avoiding any physical fatigue to the structure, as wells as friction and stretching. As this structure would be in direct contact with the textiles, it was necessary to use a totally inert material.
Following the same criteria, the showcase had to comply with certain specifications that guaranteed the conservation of the ceremonial costume. The case had to be sealed hermetically to prevent pollution and protect the pieces from changes in temperature and humidity. On sealing it, we managed to limit any damaging radiation from external light and prevent the access of insects, rodents and other harmful organisms.